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Talk and draw

The Petit Bras of the Seine at Argenteuil

Workshops
Date
Friday, 27 March 2026
Time
4 - 5 pm GMT
Location
Online
Audience
For everyone
Accessible:
Stagetext

Online tickets

This is an online event, hosted on Zoom.

Please book a free ticket to access this event. You will receive an E-ticket with instructions on how to access your online events, films and resources via your National Gallery account.

Please note, only one ticket can be booked per account. Bookings close one hour before the event.

Book now

About

Lecturer Edward Dickenson and artist William Goldsmith explore ‘The Petit Bras of the Seine at Argenteuil' by Claude Monet, currently on view at South Shields Museum and Art Gallery until Wednesday 25 March, and at the Grundy Art Gallery from 28 March – 13 June 2026. First, listen to a brief talk, then respond by making your own work in this short, artist-led drawing session.

Please have to hand paper, drawing and coloured pencils, a paint brush and some watercolour or ink as well as anything else you might like to experiment with.

The session will take place online and will last about one hour.

To find out more about The National Gallery Masterpiece Tour: Monet please visit our website, or our partner’s website for more information about their exhibition’s – at South Shields Museum and Art Gallery and Grundy Art Gallery

This session will be accompanied by live speech-to-text transcription supported by Stagetext.

Speakers

William Goldsmith is an illustrator, writer and one of our Gallery Educators. His work has appeared in a range of publications and exhibitions - both in the UK and internationally - recently the New York Times. His books include the children’s series, Mark Anchovy. William has also worked as a BA Lecturer in Illustration at Edinburgh College of Art, Glasgow School of Art and at the British Higher School of Art and Design in Moscow.

Ed Dickenson is a Gallery Educator who started his teaching career in Japan before teaching in primary schools across London for a number of years. He has since worked in learning teams for Kensington Palace, Ben Uri Gallery, and the Horniman Museum in London.

Supported by

Adult access provision is supported by The D’Oyly Carte Charitable Trust